Body Painting as a Career, Camouflage, My Work Assignments |

November 9, 2016

Body Painting Around The World

Since starting out in my freelance body painting career in 2004 I’ve worked on some amazing assignments in some beautiful locations. Some of these jobs have had very tight schedules and it’s literally been fly in, paint, and fly out! But luckily, most of the long haul destination jobs have included some spare time to get out and about for some sightseeing, trying the local food and of course buying some local souvenirs! That definitely makes the jet lag worth it. Although my husband might disagree as he sees yet another coconut shell drinking cup, raffia hat and heavily embroidered stuffed animal emerge from my suitcase!

I’m very lucky to have worked with clients in Hong Kong, New York, Las Vegas, Chicago, Atlanta, New Orleans, Orlando, Cape Town, Thailand, South Korea, The Dominican Republic, Mumbai, Paris, Holland, Belgium, Austria, Berlin, Alicante, Rome, Gran Canaria, Latvia, Nuremberg, Monaco and Malta. A lot of my work comes in with reasonably short notice and some of these destinations have required visas. So it’s usually a race against time and an anxious wait to get all the paper work approved in time for me to fly out!

Below are some of my favourite assignments.

Demonstrating highlights & shadows to the students in my Las Vegas Convention Class

Las Vegas

I’ve been very lucky to visit Las Vegas 3 times and this is definitely one of my very favourite destinations. The first visit was incredibly memorable. I was invited to teach at the 2011 Face Painting and Body Art Convention by the organiser the lovely Karen Owens. At the end of a long flight seeing the outline of the skyscrapers of the Las Vegas strip peeping out from the desert as the plane approached the airport was a surreal experience. Once I had collected my suitcase from baggage I was met by a chauffeur and whisked off in a white stretch limousine, courtesy of Karen, to the beautiful Flamingo Hotel. So it was definitely a ‘Welcome to Las Vegas’ moment! The convention was brilliant with so many friendly people and I returned to teach again the following year. My third visit was in 2015 when I painted at a make-up artist trade show representing the ‘Olivares Haus of Glam’.

My camouflaged model taking people by surprise in Cape Town

Cape Town

Another very beautiful location was South Africa where I’ve worked on 2 assignments in Cape Town. The first one was in 2009 when I was body painting for a series of fine art prints for Storm Thorgerson, including ‘The Beach Catalogue’ and ‘The Outback Catalogue’. In between the painting there was plenty of free time for getting out and about sightseeing and visiting the local markets. The second trip was in 2010 when I was commissioned by H2 Films to camouflage a model into various locations for an advertisement for ‘The Irish National Lottery’. Cape Town is amazing I loved the scenery and the culture and it’s definitely on my list of places to re-visit purely as a tourist without a paint brush in my hand!

The painted models in their beautiful costumes ready to perform to the audience in Mumbai

Mumbai

On New Year’s Day in 2012 I escaped the British winter weather and travelled to India with the great team from Acrobat Productions. I was commissioned to do the face and body art for the performers who would be working at a prestigious wedding in Mumbai. We stayed at the beautiful Trident Hotel and after the job we all had a few days to relax and see more of this fascinating city before we flew back to London. I loved India and it’s definitely a country that I would like to return to sometime in the future.

Carolyn Roper Dominican Republic bodypainting

My model camouflaged in the Dominican Republic for the Belgian travel company’s television advertisement

The Dominican Republic

Back in 2012 there was another memorable campaign that I had the pleasure of working on. It was a television advertisement for the Belgian travel agency ‘Neckermann’. The idyllic location for the filming was The Dominican Republic in the Caribbean. Our long-haul destination involved planes trains and automobiles before we reached our hotel, which was the base for the filming. My job was to camouflage several models into tropical looking backdrops so I took along my Getmadeup team mate Emily Dowdeswell to help with the painting. We had a fantastic week working with the models and managed to fit in some shopping in our free time…. yet more souvenirs in the suitcase!

My design for the Make-up Show in New York

New York.

I’ve visited ‘The Big Apple’ 3 times and it’s always a pleasure! I’ve demonstrated make-up and body painting at various industry trade shows in this great city! In 2008 I represented Mehron at ‘The Make-up Show’. In 2011 I painted for AOFM at ‘IMATS’ NYC and my last visit was in 2015 when I was commissioned to paint for ‘Olivares Haus of Glam’. There’s usually been enough spare time for me to get out and about in between the painting to shop until I drop!

Body Painting as a Career, My Work Assignments |

September 16, 2016

| Carolyn Roper

Body Painting Illusions and 3 Dimensional Designs

As I’ve previously mentioned in an earlier blog, for a successful career as a commercial body artist versatility is key! You have to be confident that you can paint in any style that your client requires, whether it be logos, tattoos or camouflage body painting. And although very well known for my camouflage work, one of my particular favourites is painting 3 dimensional and illusion designs. I love the way that you can create something so different from the norm and really trick the eye using only body paint.

3D body painting at Olympia, London

3 Dimensional Body Painting at Olympia Beauty London

In 2014 I represented Mistair at the Olympia Beauty show which is one of the UK’s best trade events in the beauty industry. Held annually at Olympia in London the show attracts salon and spa owners, make-up artists, nail technicians and students. There are numerous demonstrations taking place during the event including several student competitions. I painted model Laurence Caird with a 3-dimensional design inspired by the work of tattoo artist Jesse Rix. I also gave a talk during the show about ‘Commercial Body Painting as a Career’ and one of the prizes awarded by Mistair in the student body painting competition was an industry day with yours truly! The finished design on Laurence is one of my all-time favourites and was a huge hit on my Instagram page, where it’s racked up more than 1,000 ‘likes’.

Biffy Clyro ‘Machines’ 3 Dimensional Body Painting

Biffy Clyro 'Machines' body painting Carolyn Roper

Biffy Clyro ‘Machines’ illusional body painting. Photo: Rupert Truman

I’ve done quite a bit of body painting over the years for the late great Storm Thorgerson, the artistic genius behind numerous iconic album covers including Pink Floyd and Led Zeppelin. One of the designs that I really enjoyed working on was back in 2007 and was for the 4^th single from the album ‘Puzzle’ which was entitled ‘Machines’ by the Scottish rock band ‘Biffy Clyro’. There were a series of body painted images for the album and subsequent singles. For ‘Machines’ I painted the model with Storm’s design of a metallic torso showing beneath the model’s shirt. The photography is by Storm Studios photographer Rupert Truman.

‘Terminator’ style body painting

Terminator Style Hand Painting

Another real favourite of mine is the hand that I painted with an illusional terminator style. Last year I started my own Youtube channel and made several time lapse videos featuring 3 dimensional body paintings, superheroes and various other designs. For this time lapse I painted my own hand and I think it worked out particularly well. I really like the end of the video where my hand takes on a creepy life of its own! This image has also been a big hit on my Instagram page with more than 800 ‘likes’.

Watch the time-lapse video here

3D chains body painting illusion

3 Dimensional Chains Body Painting

Another body painting that I designed for my Youtube channel was a 3 dimensional chain link that I painted on my friend and model Liam Boyle. I made a time lapse video that demonstrated the use of highlighting and shadows that really makes the chains stand out and look as if they’re literally hanging down the front of Liam’s torso. This was another Instagram favourite with more than a 1000 ‘likes’. I’m really looking forward to putting together more time lapse videos, but I’ve been so busy with commercial work recently that my filming fun has had to take a bit of a back seat for now.

Watch the time lapse video here

Metallic body painting illusion

Metallic Neck Illusion Body Painting

Way back in 2007 I was asked to submit some images for an article on my body painting that ‘Illusion’ (the face and body art magazine) was putting together. They requested previously unpublished photos. Most of my work is commercial and has already been shown in either newspapers or magazines, or on bill boards around London. So I got together with my photographer friend Joseph Sinclair and designed some new images especially for the magazine. One of the new designs was the metallic neck effect that I painted on model Stephan D’Bart. This was my first illusional body painting and I think it worked out really well.

3D face illusion design

3 Dimensional Face Painting

Another design that I created back in 2007 for Illusion magazine was a 3 dimensional face painting. This was originally inspired by a piece of work that I found in one of my art books by the Swiss surrealist artist H.R. Giger. I made tiny shapes from liquid latex and attached them to the model Sam’s face with spirit gum. Then I painted him with black face paint before finally adding a touch of gold paint to bring out the detail on the latex pieces. The photography was by Hass Idriss.

Body painting illusion at IMATS London

3 Dimensional Body Painting at IMATS London

I also painted an illusional design at IMATS (International Make-up Artists Trade Show) held at Olympia Exhibition Centre in London in June. I was delighted to be commissioned to paint on the Screenface London stand. Screenface is an amazing supplier of all things make-up and body art related, and Screenface products have been used in numerous films over the last 30 years including Monty Python, Harry Potter and Indiana Jones. For the demonstration I painted my great model Kyle James, again using lots of highlights and shadows in my design to show metallic parts and torn flesh. Kyle had to step in at the last minute, but I think you’ll agree that he proved to be a marvellous living canvas for my design. You can read more about IMATS in general, in one of my earlier blogs.

Body Painting as a Career, Body Painting Marketing and PR |

September 2, 2016

| Carolyn Roper

Body Painting in London for PR Campaigns and Publicity Stunts

I’ve done quite a lot of international work during my career which is always interesting when you get the chance to visit other parts of the world and see new cultures. But I’m based in London and so I’ve also worked on numerous advertising and PR campaigns in and around this beautiful city, including some fun publicity stunts.

These campaigns all used body painting as the method to deliver their message to the public in a unique and eye catching way. Whether it be for a light hearted PR campaign to advertise a business or possibly a product launch. Or maybe the client might want to highlight an important issue that would be of great interest to members of the general public. Whatever the reason, body painted models never fail to attract attention.

I’ve worked at several iconic London locations, and also on campaigns that made use of props such as the very famous London Red Buses and black cabs. Below are some of my favourite assignments from in and around the city.

Victoria Station – Human Billboard for CRUK

The CRUK Human Billboard at Victoria Station

Back in 2013 I was very pleased to be commissioned to paint 4 models at Victoria Station in London. I had to camouflage them against a backdrop which was a billboard from the ‘Beat Cancer Sooner’ TV advertisement, encouraging the nation to come up with a million actions to fight cancer over a 6 week period. All of our amazing models were cancer survivors. Adam, Anna, Parminder and Linda were brilliant to work with, standing very still for several hours whilst me and my team completed the painting. This was a great campaign to be involved in. It generated a huge amount of interest at the station and was also featured on the ITV news.

Regent Street – ‘Bloom/LUSH ‘Save our Seas PR Campaign’

Save our Seas’ PR Campaign in London

Bloom is a non- profit organisation whose wonderful work includes preserving the marine environment from unnecessary destruction. In September 2014 they teamed up with ‘LUSH’ an international cosmetics company who use only vegetarian or vegan recipes in their products. They hosted a campaign which included a ‘live’ performance of body painting involving 20 countries and 12 other body artists. The campaign highlighted the diversity of deep sea life and how easily it could be destroyed by deep sea bottom trawlers in remote waters in Europe. On the day of the campaign I was responsible for painting for the English location and painted my lovely model with an image of a squid at the ‘Lush’ cosmetics store in Regent St London. Whilst other artists painted various other deep sea creatures simultaneously at various flag ship LUSH stores around Europe including Spain, Italy, Finland and Croatia.

St Pancras Station – ‘International Tiger Day’

Painting for ‘Save Wild Tigers

As a passionate lover of all animals and wildlife I was very pleased to be involved with a campaign to highlight the plight of the wild tiger. The 29^th of July 2015 was ‘International Tiger Day’ and countries across the globe supported the campaign which raised awareness of the fact that there are only 3,200 tigers left in the wild which is a 97% decrease in the last century. Action must be taken now if these beautiful creatures are to be saved from extinction in the next 10 years. So I was commissioned to design a live art installation at St Pancras station in London as an eye catching way of promoting the campaign. It was a really early start with cabs at 3 am so that we could get our great models, Susie and Victoria, ready for the rush hour commuter traffic at 7am.

St Pancras Station – ‘NHS Blood Donor National Campaign’

NHS Blood Donor PR Campaign

Another very important campaign featuring St Pancras Station was for the NHS and the launch of their campaign to attract more blood donors to increase blood stocks to 30% above their usual level. This was to cope with the increase of visitors for the Olympic Games in 2012. Photographer Adrian Brooks from Imagewise was behind the body art-ery concept and I was then commissioned by Red Consultancy to design the body paint for the 8 models showing the 4 main blood groups. This was another incredibly early start with cabs booked for myself and my team to get us to the location for 4 am to start the painting. The models then went off to various London locations including St Pancras Station. All the models were very brave coping with the problems caused by the weather as they were only dressed in their underwear. But this was a hugely successful campaign for the NHS and Red Consultancy won an award for ‘Excellence in the Use of Innovative Media Outreach’

Sloane Square Tube Station – ‘X Men First Class Promotion’

In 2011 I transformed 2 models into Mystique and Azazel for the release of ‘X Men First Class’ on DVD and Blu Ray. This included hand making all the latex pieces for Mystique which were then attached to her skin before we painted her body completely blue. Azazel was painted and adorned with his trade mark scar down his forehead to his cheek down across his left eye. There was a week of PR activity with the characters appearing at various locations around London, including a ‘pop up’ lounge at Victoria Station decorated in the style of the 1960’s. The lounge was opened by Jason Flemying who plays Azazel in the film. The models also waited for the tube at Sloane Square and were also then photographed sitting on the busy train.

Iconic Red London Bus – ‘A Suit That Fits’

A great publicity stunt on a London bus Back in 2006 I was commissioned by the guys at the London based company ‘A Suit That Fits’ to paint a model so that he appeared to be wearing a full 3 piece suit. Once the painting was completed our great model went off around London basically posing in just his underpants. He was photographed in various iconic London locations and situations including St Paul’s Cathedral, The Houses of Parliament and he even hitched a lift on a London Bus and posed standing in a red telephone kiosk. This was a really fun campaign and I find it hard to believe that it was 10 years ago.

Knightsbridge Harvey Nichols – ‘Diet Coke’

Body painted models posing in the window at Harvey Nichols Harvey Nichols is a beautiful luxury department store located in Knightsbridge. In 2012 I was commissioned by Lexis Agency to paint 2 models with the new design of 2 limited edition Coke bottles ‘Night and Day’ designed by Jean Paul Gaultier. It was another very early start, I think we started painting around 3 am. Once the models were painted they posed in the store window where they attracted a huge amount of attention from passer’s by at the peak of the rush hour. Again this was a very successful campaign and generated 909 pieces of coverage across 33 national and consumer print titles.

London Black Cab – ‘Covert Affairs’ PR Campaign

Camouflage body painting for ‘Covert Affairs In 2013 I really enjoyed working on the launch of the UK premiere of Really TV’s CIA drama ‘Covert Affairs’ I had to blend 3 models into 3 different locations to publicise the launch of the show. One model was painted into a fruit and vegetable stall in Portobello Market. Another model sat on the back seat of a London bus so that she virtually disappeared and took fellow passengers by surprise. But one of the trickiest locations was when we were blending a model into the side of a black cab. Camouflage body painting works best if there is an intricate background – all the details make it easier to make the model disappear. The side of the cab was quite plain and there were lots of reflections from the windows. But the end result worked out really well.

Houses of Parliament Westminster – ‘Royal British Legion’

Last but by no means least, is the recent campaign for the Royal British Legion. The ‘Count Them In’ campaign highlighted the fact that veterans are not registered on the current census and are thus ‘invisible’. I camouflaged veteran Darren Fuller into the Houses of Parliament. This was a pretty difficult challenge as we started painting Darren at 5 in the morning, so the lighting was changing constantly as the sun rose. But we were all really pleased with the end results and Darren was an absolute star to work with. This was the final body paint in a series of 4, all set in various locations around the UK. The whole campaign was a huge hit with the media and was featured in numerous papers and online media. For me, it was an honour to meet and paint the models who were all veterans from the armed forces and an absolute joy to work with.

Body Painting as a Career |

August 19, 2016

| Carolyn Roper

My most Frequently Asked Questions Part 2

This is a follow-up to my last blog post called ‘Body Painting and Makeup as a Career FAQ’S’ .If you haven’t ready that one. please click here

Do you prefer make-up or body painting?

Working with the brilliant Ben Haenow X Factor winner 2014

These two sides of my business are very different, but I really enjoy both of them. As well as being very well known for my body painting I’ve been part of the make-up team for the contestants on the X Factor for the last 4 years, working under Celebrity Make-up Artist and X Factor Chief Make-up Designer Julia Carta. It’s always great to pick up my make-up brushes which is a real contrast to the body art side of the business. Body painting can be very hard work – there’s often far more work behind the scenes and pre-planning before the actual day of the shoot. Plus stretching and bending for several hours at a time can be very tiring, but the transformations are usually worth it.

What makes a good model?

My amazing model Mark Ramprakash

It does depend on the design but body painting isn’t a quick process and can take several hours. A good model is one who understands the process and can stand still for long periods of time. A nice personality also makes the job more enjoyable for everyone. Friendly chatter and banter does make the time pass more quickly. I do ask that models don’t use their mobile phones whilst they’re being painted. It doesn’t look professional in front of the client and it can be difficult for me to paint them if they’re constantly moving their arms and hands around, particularly if its camouflage work where the models do need to stand perfectly still. I’ve also painted quite a few celebrities over the years and I have to say that they’ve all been marvellous to work with. When working with a celebrity confidentiality is paramount, but I’m always impressed by their patience and ability to cope with what is usually their first introduction to the bizarre world of body painting. Mark Ramprakash was one of the first celebrities that I painted for a healthy eating campaign and he was incredibly nice to work with.

Do you prefer painting on a male or female model?

If it’s a commercial job the client is usually the one who decides on the sex of the model. Some clients prefer a female model as they seem to attract more attention when they’re painted, but it does depend on the shoot and what the images will be used for. Personally I prefer painting men as you get a smoother canvas and a larger area to paint on without having to deal with the curves of the breast area on female models.

What has been your most unusual request so far?

Meeting the lovely Dr Christian Jessen

I have painted for some of the episodes of Channel 4’s ‘Embarrassing Bodies’ and was asked by the production team if I could make various small special effect pieces to replicate warts and infections that men can contract during unsafe sex. So I got my liquid latex out and made a variety of little lumps and bumps, wrapped them up and set off on the train for the production offices in Birmingham. I think it’s fair to say that they have to be the most unusual contents of my handbag ever! Once I arrived I had to attach them to some fake penises. But these were the wrong colour so I had to paint them first to make them look more natural. As I was painting on plastic they took ages to dry so we all sat in the production office waving them in the air to speed up the process. Then once the fake penises were painted and adorned with their assorted warts and pimples Dr Christian took them on holiday to Spain where he showed them to the holidaymakers on the beach to demonstrate safe sex practices whilst having fun in the sun. So this was definitely my most unusual request so far and I think it was a really unique way to illustrate a serious health issue. A couple of years later I was invited to appear as a guest on Channel 4’s ‘Sunday Brunch’ to talk about my camouflage body painting. Dr Christian was also a guest and we reminisced about my unusual homemade attachments after the show!

Are you sad to see the paint washed off?

Once a painting is finished I’m always happy to see the end results. But as long as we’ve managed to capture the design with some good photography I don’t feel too bad once it’s washed off. Although I must admit that a tiny part of me is a bit sad as the model heads off towards the showers. Or we have to get busy with the baby wipes removing everything that has just taken a few hours to create.

What has been your most memorable job so far?

Rob Riggle camouflaged for ‘Dumb and Dumber 2

I’m very lucky to have had lots of high points during my career so it’s difficult to choose just one. Painting Rob Riggle for the Hollywood movie ‘Dumb and Dumber To’ has got to be up there as a really brilliant experience. Spending 3 weeks on the set of a major movie was incredibly interesting and such good fun. The whole crew were just so friendly.

All the work that I did with the late great Storm Thorgerson are some of the assignments that I’ll never ever forget. Working on album covers and translating his ideas into body paint was amazing. Plus spending time with him in Cape Town whilst painting for a series of fine art prints was pretty special too. In between the painting there was plenty of time for relaxing by the pool and chatting in the sunshine.

What has been your most challenging job so far?

Backstage at the Alan Titchmarsh Show

This has to be the painting for ‘Dumb and Dumber To’ again! It was one of the most memorable, but also the most challenging. Camouflaging Rob Riggle into the background for the scene with the vending machine required absolute precision with the body painting as it was important that he was completely invisible to the audience before he moved and revealed his identity. Plus there was the pressure of painting for a major Hollywood movie and knowing that the producers were not going to use any CGI or tweak anything in post- production, so the camouflage body painting had to be spot on. Luckily I was given plenty of time to complete the intricate design so the finished results turned out really well.

Another tricky job was my appearance as a guest on ‘The Alan Titchmarsh Show’ to demonstrate camouflage body art. I took along one of my team, Alex, to help speed up the painting and it should have been quite a relaxing job. The male model had to lie on a table and I had to paint him to blend in with various vegetables. But with the combined weight of the model and the veg, the table started to collapse! So we had to wait until the table could be reinforced and this was seriously eating into the painting time. The show was due to go live at 3 pm and at one point around midday when we still hadn’t managed to pick up a paint brush I was thinking that we would appear on air with a half painted model missing a few carrots, a couple of cabbages and maybe a pumpkin or two. So we had to paint as fast as humanly possible to get him ‘hidden’ in time. Thankfully it all worked out really well in the end and our human arrangement of fresh produce managed to surprise the startled audience.

What has been the proudest moment of your career to date?

Becoming a World Champion for the 2nd time

I’ve had a few really proud moments during my career. There was the feedback from Peter and Bobby Farrelly the producers of ‘Dumb and Dumber To’ after I had finished the camouflage body painting for the film! Plus Jim Carrey telling me that my work was amazing! Also standing on the stage at The World Body Painting Festival in 2007 with my friend and fellow artist Carly Utting as new World Champions in the ‘Brush & Sponge’ category. And then again in 2009 when I won the ‘Special Effects’ category with my assistant Paula Southern. I was the youngest, and the first artist, in the then 12 year history of the festival to win the championship in separate categories.

Body Painting as a Career |

August 10, 2016

| Carolyn Roper

Body Painting and Make-up as a Career FAQ’S

My Most Frequently Asked Questions Part 1

I get quite a few emails requesting information regarding my career in the make-up and body painting industry. Some requests are from magazines or on-line publications who would like to feature my work. Some requests are from students who are thinking of a career as a make-up or body painting artist, or who need information for their college assignments. It’s not unusual for me to receive questionaires that can take a considerable time to complete. I do try to reply to everyone but sometimes it’s just too hectic and I just don’t have the time. So I’ve compiled a list of the most frequently asked questions from the various requests that I’ve received. I’ve had to split it into two parts as I think most people might just fall asleep if they had to tackle the whole list in one go!

Some of these points are covered in more detail in earlier blog posts, so if you have a poke around in the archives you should be able to find more in depth and (hopefully) useful information there!

Graduation from West Thames College’

Where did you do your training?

Suffolk College Ipswich. I did Art and Design followed by Beauty Therapy. Then West Thames College in London where I did a HND in ‘Specialist Hair & Make Up’

What made you want to start your own business?

After graduating from West Thames I had to weigh up the options of working for an established make-up company or starting out as a freelance make-up and body artist. Although there is the chance of less financial stability with no regular work, I do prefer the diversity of the assignments that come in. Then there’s the freedom that I get from less rigid working hours, and best of all I love being my own boss.

Artwork by Carolyn Roper

Why did you decide to paint on a body?

I’ve always had an interest in art and my hobbies include sketching and painting on canvasses. A lot of my spare time is still spent in my little art room at home working on various projects. I particularly love using pastels, pencils and oil paints. I, like most people, had seen the amazing photos of Demi Moore ‘wearing’ her suit painted by Joanne Gair. So when I began my Specialist Hair & Make-up HND course at West Thames, I was very pleased to see that body art was one of the modules as it was definitely something that I wanted to try. Once I started painting on the body everything just clicked and I knew this was something that I wanted to pursue.

What did you find difficult when you started?

It does take several years to get established in this industry, so it was definitely the lack of any regular work and no regular income. Living in rented accommodation in London, and having to pay very high rent meant a lot of sacrifices had to be made. No holidays, no shopping for nice clothes, meals out etc. But the sacrifices and hard work have paid off and it’s definitely been worth it in the end.

Where is your business based?

I’m based mainly in London but travel anywhere that my work takes me, whether it be somewhere in the UK or an overseas location.

Las Vegas a favourite destination

Have you done much international body painting?

Yes. I’ve been lucky to travel extensively during my career and have worked with clients in some amazing locations including Hong Kong, Cape Town, New York, Chicago, Las Vegas, Atlanta, Orlando, The Dominican Republic Mumbai, Thailand, Paris, Rome, Berlin and several other European locations. Some assignments have literally been fly in, paint, fly out! Plus there’s the dreaded jet lag to deal with. But most of the long haul destinations have included some free time for site seeing and most importantly time to shop and fill my suitcase with assorted souvenirs. After a December trip to Hong Kong everyone’s Christmas present had a definite oriental theme that year! One of my favourite destinations is Las Vegas and I’m really lucky to have visited 3 times for various body art events.

Can you describe your clients?

Most of my clients are from the world of marketing. They’re usually Advertising and PR agencies who want to use body art for a particular campaign or promotion. I’ve also worked with quite a few television companies who are featuring body art, or would like to use body painting for a television commercial. I work with some charities that are very close to my heart, and I do some private commissions if I have the time.

Body painting in the Caribbean

What’s the most unusual place you’ve painted?

This definitely has to be the assignment in The Dominican Republic. I was commissioned to camouflage several models into a lovely hotel and beach side location for a Belgian travel company. On some days we were very tight on the timings and for one location we only had around 40 minutes to get the painting completed before the sun went down. So myself and Emily who was helping with the job, ended up painting as fast as we could, practically up to our chests in the sea….well it was more like Emily’s waist as she’s a lot taller than me! We had the paints floating next to us in a bucket, so yes, we were painting in the Caribbean….quite literally!

Who decides on the design?

I would say that with 95% of my commercial work the client is the one who provides the design. Sometimes they want my input and then I put a design together for their approval. If there are logos I hand cut the stencils beforehand for a nice crisp professional finish. For my past competition work I usually play around with sketches before deciding on my final designs.

What do you like about painting on the body as opposed to working on a canvas?

Body painting at IMATS New York

I like the way a body painting can tell a story and have a range of emotions. You can play around with the lighting and position of the models’ body and your artwork changes every time the model changes position. You can also interact with your model and I’m very much a people person, so it’s great to create a piece of art that you can actually chat to whilst working. The down side is that you can’t just leave a body painting as you would with a canvas. You can’t put it aside whilst you have lunch, or leave it for another day. Once you start you have to finish, and usually as quickly as you can.

How long does a body painting take?

The timings will depend on how much of the body is being painted and the complexity of the design. A full body paint in a very intricate design can take up to 4 hours. With camouflage work I always prefer at least 4 hours particularly if it’s a very detailed background, but I rarely get as long as I would like. As a commercial body artist it’s all about being able to achieve the best possible result for the client usually in the shortest amount of time. I’m always up against the clock and there have been a few shoots where I would have loved the luxury of an extra hour for finishing touches. If the timings are really very tight I take along another artist so that we can work together to speed up the painting time.

Do you work alone, in a partnership, or have employees?

It depends on the job and the timings. If it’s a one model or 2 torso body paint I usually work alone. For bookings with multiple models I have a great team of make-up and body artists who work with me on larger assignments. Some of my team are also employed by established make-up companies like MAC or Inglot and some are freelance like me. But most have been with me for many years and 2 of my girls were actually my bridesmaids when I got married 3 years ago.

Continue to FAQ’s Part 2 for more information on life as a freelance make-up and body painter.

Body Painting as a Career, Latest News |

June 28, 2016

| Carolyn Roper

Suffolk New College Awards Ceremony

As a former student of Suffolk College I was delighted and very honoured to receive an invitation on behalf of the Principal Viv Gillespie to be the Guest of Honour at the ‘End of Year Celebration Event‘ on the 22^nd of June.

Programme for the Awards Ceremony

So I made sure my diary was kept clear for that date and last Wednesday I set off on the train to Ipswich, back to where it all began for me as a Beauty Therapy student in 2000. It was whilst I was on the Beauty Therapy course that one of my tutors recognised my artistic talents and suggested a career as a make-up artist. Her encouragement spurred me on to research the industry and move to London to take up a place on the HND course for ‘Specialist Hair & Make-up’ at West Thames College in Isleworth. It was after graduating from West Thames in 2004 that I decided to start working as a freelance make-up and body painting artist and set up my business Getmadeup.com

It was really nice to be back at the college again; I can’t believe it was my first visit after leaving in 2002. The old building where I trained is no longer there. It’s since been replaced with a beautiful new light filled building.

I took along ‘the Mothership’ as she was the one who was gently coerced (forced) to volunteer her face and body on a regular basis so that my Beauty Therapy student friends could practice their skills on her! She had to endure false lashes being stuck on, sometimes upside down, sometimes back to front…..yes that is possible! And on more than one occasion when she stopped at the supermarket on the way home she looked a bit too much like ‘The Joker’ from Batman after some over enthusiastic application of lip liner and lipstick! We did have some giggles and she never complained. Everyone has to start somewhere and there’s really no substitute for practicing on a human face or body! I’m still friends with some of the girls from my student days and they’ve gone on to achieve very successful careers in the beauty industry.

Once we arrived at the college everyone was extremely friendly and welcoming! I was given a quick run through of how the afternoon would pan out and then we went up to ‘Shelleys’ the college restaurant for a reception with the special awards winners, invited guests and sponsors.

On stage handing out the awards

Then it was off downstairs to the stage for the awards ceremony with the Principal and the Chair of Corporation. The ceremony started with some music from the Performing Arts students and the introductions.

Then it was my turn to step up to the microphone and give a short speech outlining my career since leaving the college, and finishing with what I hope were some inspirational and motivational words for the students about to embark on the next step in their chosen careers.

The presentation of the awards began with students from the School of Business, Health and Childcare and School of Construction & Engineering Technologies coming up on stage to receive their awards. There was a lot of congratulatory hand clapping and a lot of hand shaking.

Finally we finished with more music from the talented performing arts students. I was then presented with the most beautiful bouquet of flowers which was really lovely.

My beautiful ‘thank you’ bouquet of flowers

Once the ceremony was over we went off to the marquee for some very nice refreshments all made by the catering students and had the chance to chat with more of the staff and students from the college. All in all it was a thoroughly enjoyable afternoon.

Note to self. When standing on the stage for 2 hours, even if you are the shortest person there, wear comfortable flat shoes! J

Body Painting as a Career, My Work Assignments |

June 9, 2016

| Carolyn Roper

Body Painting for IMATS London

The IMATS Show in London, 2016.

The International Make-Up Artist Trade Show (IMATS) features professional make-up and body painting in annual events covering four countries.

Since the first show in Los Angeles in 1997 IMATS, founded by Emmy Award winning make-up artist Michael Key, has now expanded and there are trade shows in New York, Los Angeles, London, Toronto, Vancouver and Sydney. This 3-day event is the world of make-up’s biggest gathering of make-up artists, students and industry enthusiasts all under one roof.

Top professional artists often from the world of film and TV, and SFX experts, give demonstrations and hold seminars which gives the visitor a fantastic opportunity to hear first- hand the experiences of the very highly regarded professionals working in this fascinating and very diverse industry. There’s a whole host of exhibitors selling everything that you could possibly need for a career in make-up and/or body painting.

A Student Highlight

When I was a student doing my HND in Specialist Hair and Make-up at West Thames College a trip to London IMATS was definitely one of the highlights of the year. Listening to the seminars from my heroes in the world of make-up. Seeing the incredible SFX demonstrations and creations, watching the professionals at work at the various make-up booths, plus getting the opportunity to see, and try out, so many fabulous products was pretty mind blowing for a young student. I always left at the end of the day with my bag full of new brushes and beautiful products, a head buzzing with inspiration, sore feet, glittery bits everywhere and a large dent in my bank balance.

Since 2004 when I started out as a freelance make-up and body artist I’ve worked at IMATS several times both in London and New York representing various teaching academies and make-up and body art companies. This year I was delighted to be asked to demonstrate for Screenface London.

Below are some of my favourite designs from my body painting in past shows including my illusional design painted at this year’s show in London on Saturday the 4^th of June.

My body painting, IMATS 2010

London 2010 – Art Deco Body Painting

My first booking at IMATS London was for The Academy of Freelance Make-up Artists (AOFM) back in 2010. I took my inspiration for the design from the beautiful work of Polish Art Deco artist Tamara de Lempicka 1898-1980.

My model, Armin Grossegger, flew in from Austria especially for the event.

Once I had finished the painting I embellished the design with peacock feathers, crystals and superfine glitter.

My H R Giger inspired body painting, IMATS 2011

London and New York 2011 – H.R.Giger and Superhero Body Painting

The following year I painted for AOFM again. At the London show in January in 2011 I used the amazing work of the Swiss surrealist artist H R Giger for my inspiration.

Then in April I hopped across the pond and represented AOFM at the IMATS show in New York. This time I decided on a series of Superhero images for my paintings.

My sugar skull design, IMATS 2012

London 2012 – Sugar Skulls and Alice in Wonderland Body Painting

In 2012 I was back in London and represented Mistair. MistFX face and body paint was quite a new product on the market and very different to other paints that I had used in the past. Unlike the solid paints that are activated with water, MistFX is a liquid paint and comes in a bottle. It comes in a great range of colours, it’s very durable and gives a really lovely professional finish.

Alice in Wonderland design, IMATS 2012

I decanted the paint from the bottle into an artist’s pallet and painted my brilliant model with a very colourful sugar skulls design.

On the second day I painted a design inspired by Helena Bonham Carter as the Red Queen from the 2010 film ‘Alice in Wonderland’. I was really pleased with how it turned out and this has always been one of my favourite pieces of work.

Superman comes to IMATS London, 2013

London 2013 – Superman Body Painting

In 2013 I painted for Mistair again and this time the Superhero theme made a re-appearance. My husband is a huge fan of anything Marvel related and we’ve got shelves full of books and comics which are always a great source of inspiration for me. My model Ryan Mackins was huge. I think he must hold the record for the tallest person that I’ve ever painted!

My 3-D body painting, IMATS 2016

London 2016 – 3 Dimensional Body Painting Illusion

I was delighted to be commissioned by Screenface London to paint at their stand at this year’s show. We had a last minute panic when the model who had been booked broke his leg the night before the show. After several frantic phone calls, Paintopia director Jennie Roberts arranged for the brilliant Kyle James to step in and save the day. Kyle was an absolute delight to work with and I decided to accentuate his great physique with a design made up of a combination of ripped skin and metal inner workings with a bit of flesh showing through for good measure!!

IMATS exhibitors include numerous high profile brands from the world of make-up, SFX and body painting; also make-up magazines, colleges and brush companies. The wide range and quality of the products, the artist demonstrations, the student competitions, plus the seminars, makes IMATS a must for anyone interested in the industry, or for those already working as a make-up artist or body painter. Just wear some comfortable shoes and take along a purse full of money! You’ll be tempted beyond belief and already planning your visit the following year!

Body Painting as a Career |

April 10, 2016

| Carolyn Roper

Body Painting – Information and Advice for Models

Am I short or are my two models just very tall?!! Diet Coke/Jean Paul Gaultier campaign

Body painting is used for various advertising campaigns, music videos, television adverts, PR stunts etc. As a professional body painter out in industry you can expect to get jobs working on PR and promotional events by clients wishing to get press coverage for a new product or event, or for television advertising.

During my career I’ve painted literally hundreds of models in various locations around the world. So here’s a few of my hints and tips that should lead to a successful and pleasant body painting experience for the model, the artist and the client.

Absolutely make sure that you are using skin safe products! I cannot stress this enough! Everything in my kit was designed specifically to go on the skin. Just because a product is non toxic doesn’t mean that you can use it on the body; your insurance won’t cover you if your model has a reaction.

Care for your model

It is VERY important as a body artist to know how to look after your model and make sure that they’re as comfortable as possible. When you’re on a job with your model try to ensure that he/she will be warm enough. If you’re in a room or location that doesn’t have heating ask if it’s possible to provide portable heaters. I usually have foil blankets in my kit for outside shoots.

If it’s a very warm day ask that fans can be provided, so they don’t get too hot. If you’re body painting for several hours then there is a good chance that your model will need to sit down. See if it’s possible to have chairs provided for your model to sit on.

Do they have another job to go to afterwards? If so, they will need to leave with absolutely no paint residue on them. If there are no showers on-set, pack plenty of baby wipes in your kit to help with the paint removal from the skin. If there are showers available, remind your model to take along a wash kit containing shower gel, flannel, towel etc.

A silk/satin dressing gown can also be useful for the model if she needs to cover-up for toilet trips etc. and not smudge the paint. Flip flops are also handy for a model to take along.

Another very tall model Amy Woodman painted for a Kryolan event at The Royal Opera House

Preparation for painting

There are things that your model needs to do to prepare themselves for being painted. Make sure they remove all their body hair. Women are usually fairly smooth, but men will need to at the least run beard trimmers over themselves as any body hair will catch on your brushes and it will be impossible to get clean lines.

Never ask your models to wax, more often than not they will come up in a rash or have broken skin on the area, making it impossible to paint on.

Make sure your models know not to put any products on their skin before getting painted. Unlike when you apply make-up, some products like moisturiser or fake tan make it extremely hard to get an even base coat as the paint does not stick evenly.

Also be aware of any contraindications that might prevent you from painting. Areas of broken skin, such as cuts or grazes. Any kind of infection or cold sores.

Sensitivity to the needs of your model

Some models can be a bit nervous before a body painting job, particularly if it’s their first experience of a body art shoot. I’m very sensitive to their concerns and I often find that a female model will feel much more comfortable once her breasts and nipples are painted, so this is always where I’ll apply the paint first.

I very rarely paint naked models, although I have had to paint detailed anatomical designs for Channel 4’s “Embarrassing Bodies” on sensitive areas. But, sometimes it is necessary to paint completely naked models. It’s then VERY important to decant your paint from its usual container into a disposable one so that you can throw away any left-over paint. I also prefer to use cheaper brushes that can be disposed of afterwards.

An even taller model painted at IMATS New York for AOFM

The Perfect Model

A good model is one that understands the process and can keep very still for long periods of time. It’s also good if they have a friendly personality and are easy to talk to. Body painting can last for several hours so some general banter and fun conversation can make the time pass much more quickly and pleasantly.

I can provide models for various shoots, but I would say that 90% of the models that I paint are usually provided by the client. Some of these models are incredibly tall and anyone’s who’s met me will know that I’m incredibly short! I can usually get them to bend down so that I can reach the tops of their shoulders and their faces. But if I’m doing camouflage work and they have to stand in one position, we have get really technical and I have to stand on a box so that I can reach them!!!

The Fainters

Body paint shoots often start very early and not all models will turn up having eaten properly or have had anything to drink. Some models deliberately avoid eating before a job as they think they might not look their best on camera. This can be a recipe for disaster.

I’ve been in situations where some girls have spent longer with their head down the toilet feeling faint and nauseous, than being painted. There have been times when I’ve actually had to dash off to buy breakfast for them. Once they’ve had something to eat and a mug of hot sweet tea, or an orange juice, they’re good to go and we can get on with the painting. But this seriously eats into the time and can affect the finished result, and is so easily avoidable. So I would highly recommend that all models eat a proper breakfast/lunch before a body paint shoot.

I like to take some snacks with me on jobs, things like bananas. I also have a supply of glucose sweets which I pop into their mouths frequently and can help stop models from feeling faint whilst I work.

My tallest model ever! Ryan Mackins painted at Olympia Beauty Trade Show for Mistair

Some models don’t want to drink a lot of water because they are worried about going to the loo and smudging the paint with their underwear. But it’s really important to stay hydrated. It is a lot easier to clean up some smudged paint around the groin than have to clean off an entire section because your model has fainted and ruined half your painting. I always tell my models to pull their underwear to the sides if possible when using the toilet and it very rarely results in any smudged work.

It’s also important to get your model to move around lots whilst you are mixing the paint or cleaning your brushes, quite often it will be not moving their feet that will cause your model to feel unwell, particularly if it’s a very warm location.

I ask my models to tell me as soon as possible if they start to feel unwell. If there’s a chair available sit them down. I’ve had situations where a very tall model has suddenly slithered off down the wall with me desperately trying to hold her up. And with a 6 foot plus model and a 4 foot 11 artist you just know it’s never going to end well.

Body painting artist becomes body painting model

I always wanted to have my own body painted and was very pleased and surprised to receive an invitation from the American artist Craig Tracy who I first met at the World Body Painting Festival in Austria on my second visit in 2004. So in March 2005 I travelled to New Orleans and spent a week with Craig sightseeing, eating and of course painting each other with the designs that Craig had worked out in advance.

The end result of the body painting collaboration between myself and Craig Tracy

The body painting collaboration was a unique experience for me and I think I definitely have more sympathy for my models now.

After this experience I can confirm that it’s quite difficult to stay absolutely still for long periods of time, particularly if you have to stand up. But no doubt like many of my own models, I found it absorbing to be able to watch and actually see the design taking shape.

Body Painting can transform people, they become part of the art work. You can see the shiest model come alive once they have been painted. It’s a really liberating experience and I would recommend it to anyone.

Body Painting as a Career |

April 1, 2016

| Carolyn Roper

A career in body painting or make-up : What you need to consider

My graduation from West Thames College in 2004

After graduating from West Thames College in 2004 with a HND in Specialist Hair and Make-up I had to make an important decision about my future career. Did I want to join a make-up company like MAC or try my hand at freelance work? I had to weigh up the options.

If I joined a make-up company I would have regular hours, regular pay, work colleagues, sick pay, holiday pay and no tax returns to deal with at the end of the year. Plus the opportunity to progress within the company over the years ahead.

Working as a freelance make-up and body artist means no regular hours, no regular pay, no sick or holiday pay, and the dreaded tax return and National Insurance to sort out. It can be lonely. You have no colleagues. No surprise birthday cakes, no office Christmas party. Secret Santa doesn’t really work if you have to buy the present for yourself. But the advantages are that you’re your own boss, and don’t have to do regular hours every week with a limited annual holiday allowance. But more importantly the work can be really varied and interesting, and you’re very much be in control of your own career. After giving it a lot of thought I decided to go down the freelance route.

Portfolio piece from my time at West Thames College

No Regular Income

Starting out in the industry as a freelance body painting or make-up artist isn’t easy. Unfortunately you won’t leave college one month and be doing make-up in the world of rock and pop the next. The reality is that you’re more likely to be sitting in your flat eating beans on toast and wondering if you have enough train fare to get to your next job. But don’t get dis-heartened as it’s the same for most freelancers at the beginning of their career.

Your kit is expensive and there’s a lot of competition for the work that’s out there. Plus with no regular income and no idea when, or where, your next job will come from, it can be very tough. Everyone’s circumstances are different. If you’re lucky enough to live at home with family support and few overheads, or have the security of a partner or husband’s salary, it’s very different to leaving home and renting often very expensive accommodation and completely supporting yourself. Then all the money that you earn has to be saved for living costs, as you could have a quiet month with absolutely no work and you still have to pay your rent etc.

Financially try not to go down the credit card route. I had a simple rule…in fact I still have. If you can’t afford it, don’t buy it, book it or cook it! I’ve eaten my fair share of beans on toast and it was several years before I felt secure enough to book a holiday.

My mother used to send me vegetables through the post so that she knew I was eating properly. It wasn’t unusual for me to come home and find an envelope on the doormat containing green beans and baby sweetcorn!!!

In action at the World Bodypainting Festival in Seeboden, Austria, in 2005

Portfolio Building

I did a lot of low pay and no pay assisting jobs to build up my portfolio and gain experience in the industry. Plus my birthday present from my parents every July was a trip to The World Bodypainting Festival in Austria. As well as a great experience it was a good way of building up my portfolio and also hopefully winning some accolades that might enhance my career. In those early days I never imagined I would win once, let alone twice. But it’s definitely been invaluable in terms of taking my career to the next level. I’ll be covering The World Bodypainting Festival in more detail in another blog.

Unsocial Working Hours

If a model, or models, need to be ready for an early morning press call the painting has to be done before sunrise. I’ve had numerous jobs where I’ve found myself in a cab with the driver navigating a very empty city at 3 am. This is never ideal but it has to be done. You know the feeling when you’re off on holiday and set your alarm for an early flight?? Then you hardly sleep because you’re worried about missing your flight. Well it’s that same feeling only 10 times worse. You toss and turn and then end up getting up before you really have to, simply because you’re awake anyway! You then have to go and paint to a really high standard against the clock to get the models finished, usually after around 3 hours sleep. But I find that once I’m at the location the adrenalin kicks in and I’m off…… painting like a mini ninja!

A getmadeup team job for the NHS. Photo: Adrian Brooks/Imagewise

Building up your Business

There are no short cuts. You have to build up your experience, and your client list, and that only comes with time. If you do a good job the client will be more likely to remember you and use you again, or even recommend you to other clients. But when you’re starting out know your limitations. It’s better to not do the job at all than do it badly. You not only let the client down, but you risk your reputation as well. If you’re good at what you do, you’ll find that it’s almost self- perpetuating. The more work you do the more work comes in.

I’m pleased that I decided on the freelance route, it was the right decision for me. No two days are the same and I love being my own boss. I’ve worked hard to build up my business and now have many repeat clients. I have my Getmadeup team who work with me on larger assignments so my little business also supports several other artists and I actually now have some colleagues. But none of this has happened overnight. I started at the bottom of the ladder and it’s taken me 12 years to get to the point that I’m at today.

My ‘Alice in Wonderland’ themed body painting for Mistair

Career Advice

So my advice to anyone who has a passion for make-up/body painting and is seriously thinking of a career in the industry would be to get some training. Either a full time college course or one of the shorter courses from the various make-up academies out there. There are some excellent self- taught make-up artists, but just about everyone that I know in the industry has started their career with some professional training.

You must have Public Liability Insurance before starting work in the industry. If you poke your brush in someone’s eye you’ll be in big trouble with no insurance cover. I get mine through Professional Beauty. It’s automatically renewed every 12 months and is around £50 for the year. Anyone who works with me must have their own PLI as mine won’t cover them.

If you’re freelance don’t expect to run before you can walk. Gain as much work experience as you can. Do the low pay jobs to practice your skills and build up contacts.

Don’t get disheartened at the beginning of your career. Realistically it will probably take you a few years to get established.

Finally, I hope that anyone who’s interested in becoming a professional make-up or body painting artist will find this information interesting and useful. I’ve tried to be honest and give you the benefit of my experience. It’s not easy starting out, it’s hard work. Early starts, late finishes, not a lot of spare cash! But if you’re willing to persevere it can be a great career, incredibly good fun at times and very interesting. Good luck!!!!

Body Painting as a Career |

January 21, 2016

| Carolyn Roper

For a successful Body Painting career, versatility is vital

Getmadeup team job for Rugby Sevens promotion at Twickenham

Although being well known for my camouflage body painting, as a freelance body artist I have to be able to paint whatever design my clients’ require, whether it be crisp logo work, temporary tattoo’s or intricate details for fine art prints. I never know what, where, or when the next assignment will be and each body paint brings its own challenges. Quite often the design will be something that I’ve never painted before, so I have to have confidence in my ability to transfer my client’s design onto the body with a very professional finish, often in the shortest possible time.

I also have a very talented Getmadeup team of make-up and body artists, most of whom have been with me for years, who support me on larger assignments when multiple models need body painting and/or make-up.

Camouflage body painting for Belgian travel company TV advertisement

Camouflage Body Painting

Camouflage work is quite specialised and can be pretty complex depending on the background that the model needs to be blended into. Personally I prefer a ‘busy’ background with a lot of detail. It might take more work, but I find this makes it easier to make the model disappear. I’ve worked on numerous camouflage jobs during my career, some that needed the model to be virtually invisible like when I painted Rob Riggle for ‘Dumb and Dumber To’ where it was vital that he wasn’t seen by the audience before he moved and revealed his identity. But on other camouflage jobs the model needs to be painted into the background, but still be partly visible to the viewer. In this image we were painting in The Caribbean for a television advertisement which was for a Belgian travel agency. I was with my fellow artist Emily Dowdeswell, and due to the timings we only had 40 minutes to do the painting before the sun went down. We were quite literally up to our waists in the sea with our paints floating next to us in a bucket!

Body painting leathers and logos for World Super Bike champion Leon Haslam

Logos

Some jobs have the client’s logos incorporated into the design. I hand cut stencils for the logo work to give a really professional finish. There are usually only one or two logos required. But for the job at Silverstone where I had to paint World Super Bike rider Leon Haslam in his racing leathers, I had to cut numerous stencils for all the logos that were needed on his torso. It was a really enjoyable day. Leon was great to work with and everyone was really pleased with the finished result.

There have been quite a few people, including very experienced motor cyclists, who didn’t realise that Leon was ‘wearing’ body paint and not his actual leathers. There’s a time lapse video of the painting on my video page.

Carolyn Roper StormStudios body painting

The Beach Back Catalogue body painting in South Africa for StormStudios. Photo: Rupert Truman

Fine Art Prints

As well as body painting for CD album covers I had the pleasure of working on a series of limited edition fine art prints for the late great Storm Thorgerson and StormStudios. The designs were all of various album covers from Storm’s vast portfolio including Pink Floyd, Muse and Audioslave. Some of the shoots took place in the UK, mainly at The RAC Club in Pall Mall. But we also had an amazing two week trip to South Africa in 2009 where I worked on ‘The Beach Back Catalogue’ and ‘The Outback Catalogue’. Visit www.stormsight.co.uk for beautiful prints and posters and other assorted goodies from the very talented crowd at StormStudios.

Celebrity Ricky Whittle body painted with tattoos for Now Magazine

Body Painted Tattoos

Tattoos are always popular with clients and I’ve painted quite a few over the years. If the tattoo is only required for the photoshoot I use my usual water based body paints, and the design can be washed off easily with soap and water at the end of the day.

But sometimes the client might want the tattoo to last for a few days. I would then use one of the more durable alcohol based FDA approved cosmetic inks on the market. It depends on the brand that you use, but the design will last for at least 3 or 4 days, and sometimes up to a week. These products are usually removed with an oil based cleanser.

Mystique body painting and SFX for PR stunt to promote X-Men First Class DVD

Body Painting and Special Effects

There are times when I’m called on to produce some special effects to transform the model for a particular shoot. Some prosthetic pieces can be bought ‘off the shelf’ from specialist suppliers such as ‘Charles Fox-Kryolan UK’ in Covent Garden, London. But for some of my jobs I make the pieces myself with handmade individual moulds and liquid latex. It can be a bit of a messy process and I think my husband’s heart sinks every time I commandeer the bathroom with my sack of plaster and tubs of latex.

For one assignment I was asked if I could transform 2 models into Mystique and Azazel during a week of PR events for the release of ‘X Men First Class’ on DVD. I hand made all the numerous latex pieces myself, and then had to reproduce the look several times on various models throughout the week. They appeared at different London locations including seated on an underground train, and in a 1960’s style ‘pop up lounge’ at Victoria Station. I then had the pleasure of transforming model Sam Cooke into ‘Mystique’ for a photoshoot at the end of the week.

Carolyn Roper Kate Garraway body painting

Celebrity Kate Garraway make-up and body painting

Combined Body Painting and Make-up assignments

As well as being a body artist I’m also a make-up artist and some shoots require a combination of make-up and body art. If we’re working on a shoot with a celebrity their time is very valuable and will almost certainly be limited. So I usually take along another artist from the Getmadeup team to help to speed everything up.

In 2011 I was commissioned to reproduce a £5.00 note on TV presenter Kate Garraway to publicise the charity lendwithcare.org. It was a very enjoyable shoot where I did the body painting on Kate’s back whilst Emily Dowdeswell did her hair and make-up.