My most Frequently Asked Questions Part 2

Body Painting as a Career |

August 19, 2016

My most Frequently Asked Questions Part 2

This is a follow-up to my last blog post called ‘Body Painting and Makeup as a Career FAQ’S’ .If you haven’t ready that one. please click here

Do you prefer make-up or body painting?

Working with the brilliant Ben Haenow X Factor winner 2014

These two sides of my business are very different, but I really enjoy both of them. As well as being very well known for my body painting I’ve been part of the make-up team for the contestants on the X Factor for the last 4 years, working under Celebrity Make-up Artist and X Factor Chief Make-up Designer Julia Carta. It’s always great to pick up my make-up brushes which is a real contrast to the body art side of the business. Body painting can be very hard work – there’s often far more work behind the scenes and pre-planning before the actual day of the shoot. Plus stretching and bending for several hours at a time can be very tiring, but the transformations are usually worth it.

What makes a good model?

My amazing model Mark Ramprakash

It does depend on the design but body painting isn’t a quick process and can take several hours. A good model is one who understands the process and can stand still for long periods of time. A nice personality also makes the job more enjoyable for everyone. Friendly chatter and banter does make the time pass more quickly. I do ask that models don’t use their mobile phones whilst they’re being painted. It doesn’t look professional in front of the client and it can be difficult for me to paint them if they’re constantly moving their arms and hands around, particularly if its camouflage work where the models do need to stand perfectly still. I’ve also painted quite a few celebrities over the years and I have to say that they’ve all been marvellous to work with. When working with a celebrity confidentiality is paramount, but I’m always impressed by their patience and ability to cope with what is usually their first introduction to the bizarre world of body painting. Mark Ramprakash was one of the first celebrities that I painted for a healthy eating campaign and he was incredibly nice to work with.

Do you prefer painting on a male or female model?

If it’s a commercial job the client is usually the one who decides on the sex of the model. Some clients prefer a female model as they seem to attract more attention when they’re painted, but it does depend on the shoot and what the images will be used for. Personally I prefer painting men as you get a smoother canvas and a larger area to paint on without having to deal with the curves of the breast area on female models.

What has been your most unusual request so far?

Meeting the lovely Dr Christian Jessen

I have painted for some of the episodes of Channel 4’s ‘Embarrassing Bodies’ and was asked by the production team if I could make various small special effect pieces to replicate warts and infections that men can contract during unsafe sex. So I got my liquid latex out and made a variety of little lumps and bumps, wrapped them up and set off on the train for the production offices in Birmingham. I think it’s fair to say that they have to be the most unusual contents of my handbag ever! Once I arrived I had to attach them to some fake penises. But these were the wrong colour so I had to paint them first to make them look more natural. As I was painting on plastic they took ages to dry so we all sat in the production office waving them in the air to speed up the process. Then once the fake penises were painted and adorned with their assorted warts and pimples Dr Christian took them on holiday to Spain where he showed them to the holidaymakers on the beach to demonstrate safe sex practices whilst having fun in the sun. So this was definitely my most unusual request so far and I think it was a really unique way to illustrate a serious health issue. A couple of years later I was invited to appear as a guest on Channel 4’s ‘Sunday Brunch’ to talk about my camouflage body painting. Dr Christian was also a guest and we reminisced about my unusual homemade attachments after the show!

Are you sad to see the paint washed off?

Once a painting is finished I’m always happy to see the end results. But as long as we’ve managed to capture the design with some good photography I don’t feel too bad once it’s washed off. Although I must admit that a tiny part of me is a bit sad as the model heads off towards the showers. Or we have to get busy with the baby wipes removing everything that has just taken a few hours to create.

What has been your most memorable job so far?

Rob Riggle camouflaged for ‘Dumb and Dumber 2

I’m very lucky to have had lots of high points during my career so it’s difficult to choose just one. Painting Rob Riggle for the Hollywood movie ‘Dumb and Dumber To’ has got to be up there as a really brilliant experience. Spending 3 weeks on the set of a major movie was incredibly interesting and such good fun. The whole crew were just so friendly.

All the work that I did with the late great Storm Thorgerson are some of the assignments that I’ll never ever forget. Working on album covers and translating his ideas into body paint was amazing. Plus spending time with him in Cape Town whilst painting for a series of fine art prints was pretty special too. In between the painting there was plenty of time for relaxing by the pool and chatting in the sunshine.

What has been your most challenging job so far?

Backstage at the Alan Titchmarsh Show

This has to be the painting for ‘Dumb and Dumber To’ again! It was one of the most memorable, but also the most challenging. Camouflaging Rob Riggle into the background for the scene with the vending machine required absolute precision with the body painting as it was important that he was completely invisible to the audience before he moved and revealed his identity. Plus there was the pressure of painting for a major Hollywood movie and knowing that the producers were not going to use any CGI or tweak anything in post- production, so the camouflage body painting had to be spot on. Luckily I was given plenty of time to complete the intricate design so the finished results turned out really well.

Another tricky job was my appearance as a guest on ‘The Alan Titchmarsh Show’ to demonstrate camouflage body art. I took along one of my team, Alex, to help speed up the painting and it should have been quite a relaxing job. The male model had to lie on a table and I had to paint him to blend in with various vegetables. But with the combined weight of the model and the veg, the table started to collapse! So we had to wait until the table could be reinforced and this was seriously eating into the painting time. The show was due to go live at 3 pm and at one point around midday when we still hadn’t managed to pick up a paint brush I was thinking that we would appear on air with a half painted model missing a few carrots, a couple of cabbages and maybe a pumpkin or two. So we had to paint as fast as humanly possible to get him ‘hidden’ in time. Thankfully it all worked out really well in the end and our human arrangement of fresh produce managed to surprise the startled audience.

What has been the proudest moment of your career to date?

Becoming a World Champion for the 2nd time

I’ve had a few really proud moments during my career. There was the feedback from Peter and Bobby Farrelly the producers of ‘Dumb and Dumber To’ after I had finished the camouflage body painting for the film! Plus Jim Carrey telling me that my work was amazing! Also standing on the stage at The World Body Painting Festival in 2007 with my friend and fellow artist Carly Utting as new World Champions in the ‘Brush & Sponge’ category. And then again in 2009 when I won the ‘Special Effects’ category with my assistant Paula Southern. I was the youngest, and the first artist, in the then 12 year history of the festival to win the championship in separate categories.

August 10, 2016

| Carolyn Roper

Body Painting and Make-up as a Career FAQ’S

My Most Frequently Asked Questions Part 1

I get quite a few emails requesting information regarding my career in the make-up and body painting industry. Some requests are from magazines or on-line publications who would like to feature my work. Some requests are from students who are thinking of a career as a make-up or body painting artist, or who need information for their college assignments. It’s not unusual for me to receive questionaires that can take a considerable time to complete. I do try to reply to everyone but sometimes it’s just too hectic and I just don’t have the time. So I’ve compiled a list of the most frequently asked questions from the various requests that I’ve received. I’ve had to split it into two parts as I think most people might just fall asleep if they had to tackle the whole list in one go!

Some of these points are covered in more detail in earlier blog posts, so if you have a poke around in the archives you should be able to find more in depth and (hopefully) useful information there!

Graduation from West Thames College’

Where did you do your training?

Suffolk College Ipswich. I did Art and Design followed by Beauty Therapy. Then West Thames College in London where I did a HND in ‘Specialist Hair & Make Up’

What made you want to start your own business?

After graduating from West Thames I had to weigh up the options of working for an established make-up company or starting out as a freelance make-up and body artist. Although there is the chance of less financial stability with no regular work, I do prefer the diversity of the assignments that come in. Then there’s the freedom that I get from less rigid working hours, and best of all I love being my own boss.

Artwork by Carolyn Roper

Why did you decide to paint on a body?

I’ve always had an interest in art and my hobbies include sketching and painting on canvasses. A lot of my spare time is still spent in my little art room at home working on various projects. I particularly love using pastels, pencils and oil paints. I, like most people, had seen the amazing photos of Demi Moore ‘wearing’ her suit painted by Joanne Gair. So when I began my Specialist Hair & Make-up HND course at West Thames, I was very pleased to see that body art was one of the modules as it was definitely something that I wanted to try. Once I started painting on the body everything just clicked and I knew this was something that I wanted to pursue.

What did you find difficult when you started?

It does take several years to get established in this industry, so it was definitely the lack of any regular work and no regular income. Living in rented accommodation in London, and having to pay very high rent meant a lot of sacrifices had to be made. No holidays, no shopping for nice clothes, meals out etc. But the sacrifices and hard work have paid off and it’s definitely been worth it in the end.

Where is your business based?

I’m based mainly in London but travel anywhere that my work takes me, whether it be somewhere in the UK or an overseas location.

Las Vegas a favourite destination

Have you done much international body painting?

Yes. I’ve been lucky to travel extensively during my career and have worked with clients in some amazing locations including Hong Kong, Cape Town, New York, Chicago, Las Vegas, Atlanta, Orlando, The Dominican Republic Mumbai, Thailand, Paris, Rome, Berlin and several other European locations. Some assignments have literally been fly in, paint, fly out! Plus there’s the dreaded jet lag to deal with. But most of the long haul destinations have included some free time for site seeing and most importantly time to shop and fill my suitcase with assorted souvenirs. After a December trip to Hong Kong everyone’s Christmas present had a definite oriental theme that year! One of my favourite destinations is Las Vegas and I’m really lucky to have visited 3 times for various body art events.

Can you describe your clients?

Most of my clients are from the world of marketing. They’re usually Advertising and PR agencies who want to use body art for a particular campaign or promotion. I’ve also worked with quite a few television companies who are featuring body art, or would like to use body painting for a television commercial. I work with some charities that are very close to my heart, and I do some private commissions if I have the time.

Body painting in the Caribbean

What’s the most unusual place you’ve painted?

This definitely has to be the assignment in The Dominican Republic. I was commissioned to camouflage several models into a lovely hotel and beach side location for a Belgian travel company. On some days we were very tight on the timings and for one location we only had around 40 minutes to get the painting completed before the sun went down. So myself and Emily who was helping with the job, ended up painting as fast as we could, practically up to our chests in the sea….well it was more like Emily’s waist as she’s a lot taller than me! We had the paints floating next to us in a bucket, so yes, we were painting in the Caribbean….quite literally!

Who decides on the design?

I would say that with 95% of my commercial work the client is the one who provides the design. Sometimes they want my input and then I put a design together for their approval. If there are logos I hand cut the stencils beforehand for a nice crisp professional finish. For my past competition work I usually play around with sketches before deciding on my final designs.

What do you like about painting on the body as opposed to working on a canvas?

Body painting at IMATS New York

I like the way a body painting can tell a story and have a range of emotions. You can play around with the lighting and position of the models’ body and your artwork changes every time the model changes position. You can also interact with your model and I’m very much a people person, so it’s great to create a piece of art that you can actually chat to whilst working. The down side is that you can’t just leave a body painting as you would with a canvas. You can’t put it aside whilst you have lunch, or leave it for another day. Once you start you have to finish, and usually as quickly as you can.

How long does a body painting take?

The timings will depend on how much of the body is being painted and the complexity of the design. A full body paint in a very intricate design can take up to 4 hours. With camouflage work I always prefer at least 4 hours particularly if it’s a very detailed background, but I rarely get as long as I would like. As a commercial body artist it’s all about being able to achieve the best possible result for the client usually in the shortest amount of time. I’m always up against the clock and there have been a few shoots where I would have loved the luxury of an extra hour for finishing touches. If the timings are really very tight I take along another artist so that we can work together to speed up the painting time.

Do you work alone, in a partnership, or have employees?

It depends on the job and the timings. If it’s a one model or 2 torso body paint I usually work alone. For bookings with multiple models I have a great team of make-up and body artists who work with me on larger assignments. Some of my team are also employed by established make-up companies like MAC or Inglot and some are freelance like me. But most have been with me for many years and 2 of my girls were actually my bridesmaids when I got married 3 years ago.

Continue to FAQ’s Part 2 for more information on life as a freelance make-up and body painter.